Guide to Natural Light

By ammirare | August, 11, 2012 | 0 comments

If you want to improve the quality of your photography, one thing you can do right away is learn to use natural light better. The good news is that unlike good quality lenses and camera bodies, natural light is free. The best photographers seek out the best quality light for their subject. Their quest for better photos is paralleled by a search for better light

“Painting With Light”

The word photography is derived from the Greek for ‘painting with light’. This is a good description – a photograph is made from the light that enters your camera’s lens and hits the sensor (or film). Without light you would have nothing.

Broadly speaking, there are two types of light – natural and artificial. Natural light (the topic of this article) comes from the sun. The quality and quantity of the light depend on where you are, the weather conditions and time of day.

As photographers, we need to be students of light – observing the lighting conditions and learning why light behaves like it does. Then we can understand how light affects our photos and how to make the best use of it.

The more you understand light and how it affects your photos, the better a photographer you will be. To help you out, we’ve put together a brief guide to the main types of natural light and how to make the most of them.

Hard Light

The light from the sun on a sunny day is hard light. It’s strong and direct and casts deep shadows with hard edges. In the middle of the day, especially in the summer, hard light can be very ugly. Avoid taking photos at this time if you can.

Hard light is best at either end of the day, shortly after the sun has risen and just before it sets. Photographers call this period the golden hour, because of the quality of the light. If the sky is clear, the light is still hard, but it’s a great deal softer than in the middle of the day. It also comes at your subject from a low angle which reveals form and texture and is much more interesting than midday light.

 Soft Light

Soft light describes the type of light that you find in the shade or on a cloudy day. Any shadows have soft edges. Soft light, especially on a cloudy winter’s day, can seem grey and dull, without much potential for photography.

The key to using soft light is to understand that it has very little contrast. It’s the opposite of hard light from the sun.

Soft light is great for taking photos of people, especially portraits. If you’re outside on a sunny day, taking photos of people, find some shade and take photos of them there. The results will be much better.

Soft light is also suitable for taking photos in rainforest and woodland, and for still life and flowers. On a cloudy day, avoid including the sky in your photos – it usually just comes out white.

 Backlight

This is my favourite type of light. Backlight is created when the light source is behind the subject. Backlight, like hard light, has lots of contrast. Also like hard light, it’s normally best for photos at the end or the start of the day. Backlighting from the sun at any other time of the day has too much contrast.

Backlighting is good for landscapes, portraits and architecture. It’s a powerful, moody, evocative type of lighting. It is very dramatic if combined with weather conditions like mist or fog.

You’ll need to keep your lens scrupulously clean for shooting backlit subjects, as the light will shine right on the front element of your lens, causing flare. Sometimes flare is unavoidable – if this happens to you the best way to deal with it is to work the flare into your composition. Make it look like a deliberate part of the photo, rather than an unwanted side effect.

 Dramatic Light

Dramatic light is created by dramatic weather such as a thunderstorm. It’s the type of light that you see when the clouds clear after a rain storm, or if the sun breaks through the clouds on a rainy day near sunset.

Dramatic light is ideal for photographing landscapes, seascapes and architecture – almost anything outside. If you are confronted with a scene lit by dramatic light, treat it as a gift and take as many photos as you can while it lasts. Dramatic light normally doesn’t last very long, and it may not return.

 Sunrise and Sunset

At sunrise and sunset the light is beautiful and full of colour. It has the potential to be any of the types of light we’ve discussed so far – soft, hard or dramatic. If the sun is out your subject will be backlit. The light can change between all of these states very quickly.

No matter what your subject, sunrise and sunset are wonderful times for taking photos. This is especially true for landscapes and seascapes, but also for architecture and nature. This is your time for creating evocative photos full of mood and atmosphere.

It’s the kind of light that travel photographers love because it makes everywhere look so beautiful. Professional landscape photographers love this time of day so much that they get up early to make the most of sunrise and stay out late for the sunset.

 Interiors With Natural Light

You can use the natural light coming through doors and windows to photograph interiors. You have to pay lots of attention to where the light is coming from when you’re doing this. The light, even on a cloudy day, will be hard because it’s coming in through the doors and windows. If you include open doors or windows in your photo, they will burn out because they are so bright compared to the interior.

The good thing about this type of light is that it can be very dramatic and moody, especially inside an old building. Some people will solve the problem of shooting in these conditions by using HDR techniques. But for me, HDR photos often have an unreal appearance that I don’t like. I don’t want to see every detail; I like dark shadowy corners and prefer that something is left to the imagination.

 

Information from  Andrew S Gibson Blog : Writer & Fine Art  Photographer

http://www.andrewsgibson.com/blog/

Photo  from Ekaterina Utimisova

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